"Life is just a memory," the
Aghori Vimalananda liked to muse. "Bitter
or sweet, it is
nothing but memory."
I can still hear Vimalananda, the man
who became my mentor, underscoring for me the need to be able both to
remember and to forget. To remember with gratitude the good done to
me, and forget the slights I am shown. To reinforce by remembering
them the noble sentiments that uplift my humanity, and to weaken by
forgetting them my personal human debilities, born of selfishness and
insecurity. When Vimalananda thought of remembering he remembered
Jean Valjean, the protagonist of Victor Hugo's novel Les
Miserables, the man who never forgot that when he was caught
stealing the bishop's candlesticks the bishop protected him from the
police instead of denouncing him. Jean Valjean carried the memory of
that single incident with him for the rest of his life; it changed
him permanently.
Vimalananda taught
those who came to him to transform their lives by remembering the
single certainty that life offers each of us: the sureness of our
eventual death. The more you become aware of death's certitude, he
would say, the more urgently you will strive to live an impeccable
life, to seek a healthy relationship with that infinite and permanent
reality that lies beyond our world of the temporary and the mundane.
Vimalananda, who
remembered his own impending death every morning of his eventful
life, believed that forgetting to merge one's awareness with external
things is the very first step in spirituality, for we can remember
the Infinite only to the extent that we have forgotten everything
else. Vimalananda dedicated his life to a one-pointed pursuit of the
Absolute by offering up all his externals on the altar of Aghora.
Aghora
(literally, "non-terrifying") is the spiritual path
that seeks to negate all that is ghora ("terrible,
terrifying") in life. The ghora encompasses all those
experiences that most people find intolerable, for almost everyone is
as ready to enjoy life's pleasures as they are to avoid misery. Most
spiritual advisers admonish their devotees to shy away from the
ghora, but aghoris (practitioners of Aghora) embrace the ghora
fervidly, for what most terrifies an aghori is the prospect of
becoming mired in duality. Aghoris go so far into the ghora that the
ghora becomes tolerable to them; diving deeply into darkness, an
aghori finally surfaces into light. No means to awakening is too
disgusting or frightening for an aghori, for Aghora is the Path of
the Shadow of Death, the path that forcibly separates an individual
from attachment to every ordinary self-descriptor.
Aghora's temple is
the smashan (cremation ground), where aghoris worship death,
the Great Transformer, with a savage, all-consuming love. Those who
are enslaved by their cravings think aghoris mad for displaying such
ferocity in their quest for knowing. They condemn Aghora's outwardly
repugnant practices because they cannot see beneath their ritual
skin. If they could but peep into an aghori's heart they would find
there an ache for Reality so fierce that no means could be too
extreme to achieve it. This ache drives the divine fury, the
passionately unrestrained non-attachment to absolutely everything,
that is Aghora's hallmark. Aghoris earn their illumination by
incinerating themselves moment by moment in their own internal fires,
laughingly consuming any substance and performing any activity that
might further enkindle their awareness. They seize every moment of
life that God offers to them, even a trip to the toilet, as a fresh
opportunity to surrender to the One. Good aghoris takes their temples
with them as they wander the world, ceaselessly amazed to witness the
universe consuming itself in the fires of an ongoing cosmic
cremation.
Aghora like alchemy
substitutes for a set recipe of self-development an outline whose
details differ for each practitioner. Each aghori and his customs are
unique, and in truth all one aghori has in common with another is
their degree of intensity and determination. Aghoris become so
desperate in their quests that they channel their every thought and
feeling into a super-obsession, a single-minded quest to achieve the
Beloved. They endeavor eternally to dismember their restricted selves
fully, that God may have a free hand to re-member them completely.
They die day by day while they are still alive, that by dying to
their limitations they can be reborn into the eternal life of
Reality.
Aghoris achieve
laser-like focus by learning to awaken and cultivate that
evolutionary power that the Tantras call Kundalini. Vimalananda
comments, "Ahamkara, your 'I-creating' faculty,
continuously remembers you by self-identifying with all the cells in
your body and all the facets of your personality. Ahamkara is your
personal shakti (power); she integrates the many parts of you
into the individual that you are. You develop spiritually when you
can cause ahamkara to realize, little by little, that she is actually
She: the Kundalini Shakti. This growing realization gradually awakens
Kundalini, and as She awakens She forgets to self-identify with your
limited human personality. Then She is ready to recollect something
new."
After his Kundalini was awakened
during a midnight ritual performed atop a human corpse, the Aghori
Vimalananda developed a wonderfully fresh and vital recollection of
reality. Kundalini took for him the form of Smashan Tara ("The
Savioress of the Cemetery"), the Tantric goddess Who causes the
living to cross the frontier that separates them from the reality of
death. After incarnating within him as Smashan Tara Vimalananda's
Kundalini traversed the boundaries of his ordinary human awareness,
and created within him a multidimensional personality.
Ever the iconoclast, Vimalananda never
permitted himself to be pigeonholed, even as an aghori. A
stereotypical aghori is an wild-eyed madman skulking about the
cremation ground, cooking his food in a human skull, flinging filth
at anyone who might dare to disturb him. Vimalananda, who spent part
of his life playing that role, eventually became so conversant with
the aghori frame of mind that he came to be able to drag it along
wherever he went. While ordinary aghoris define themselves by the
external smashan, superior aghoris like Vimalananda create a smashan
wherever they sit, that they may maintain simultaneous awareness of
all versions of reality. After choosing who to be at a given moment,
Vimalananada would portray that self with consummate skill,
transforming all the while his every act into a sadhana, a
spiritual discipline.
Vimalananda's peers
acknowledged him as an expert in astrology, medicine, cookery,
horseflesh, dance, vocal and instrumental music, and wrestling.
Beneath the mundane accomplishments of his versatile erudition,
visible only to a select view, simmered his striking spiritual
attainments. Genuine aghoris crave only to fill their hearts with
tears for the Beloved, and count external appearance as nothing more
than "the dressing up of a corpse." To some this means
swathing themselves in human ashes; to Vimalananda it meant wearing
whatever costume a situation called for without ever becoming fixated
on that dress. Whether leading his brave troops as a gung-ho army
officer, toiling next to his workers as a hard-working quarry owner
and dairy farmer, playing the equine game as an avid owner of
thoroughbred race horses or roving the countryside as a naked
ascetic, Vimalananda donned the right skin for the job. He threw
himself wholeheartedly into each role, becoming "as hard as
diamond and as soft as wax" as required, the yearning within
augmenting all the while.
,.,.Aghoris live to
overdo, and the events of Vimalananda's life document again and again
how readily he overdid in his search for his Beloved. He really
overdid things on the day he lost his temper with his penis for
disturbing his sleep with its regular erections, and read it the riot
act with the help of a thick layer of green chili paste. What a fiery
lesson that was! Most people would think him as insane for trying
such a stunt as he thought them insane for obsessing over everything
except the One Thing in life that is worth obsessing over.
Vimalananda found divinity's highest
expression in the Motherhood of God. Kundalini was to him his Ma, his
Beloved Mother Who consented to protect and preserve Her child from
all dangers, no matter what errors he might commit, so long as he
remained safe within Her lap. That his sex organ healed scarless
after its chili massage is tribute to how cockeyed Mother Nature was
to him. Like a good aghori he always followed his spontaneous ardor,
and like an indulgent mother She always protected him from his own
fervor.
He knew well, however, that he was
protected by the intensity of his devotion to Her, and that few
others who tried to imitate his actions would escape unscathed. Year
after year of sitting in the Divine Lap taught him to love every
plant, animal and rock in the universe as his own child, and to wish
for all beings only what was in their best interests. No matter how
fanatical Vimalananda the aghori became about his sadhana,
Vimalananda the maternal mentor never permitted anyone to slavishly
emulate his practices.
He punctuated this
message by flaunting his unconventionality. Open indulgence in
alcohol and other intoxicants and frank acknowledgment of his
enthusiastic sex life served to drive all but the most persistent
postulants from his unmarked door. He followed in this the ancient
example of Guru Dattatreya, the first aghori, who in order to weed
out through disgust those of his disciples who could not look beyond
their guru's outer 'clothes' took to drinking wine while a beautiful
naked female sat atop his lap. The world's skin, the superficial
image of reality that we call in Sanskrit maya, is a barrier
that few people find easy to dismantle. Vimalananda wanted to be
remembered solely by those people who would remember the "him"
beneath his skin, the him of a heart that was as big as all outdoors.
A man of action who
cared little for the opinions of others on what Aghora might or might
not be, Vimalananda resisted all attempts to paint him as a
'classical' aghori. He ignored all recognized Aghora sects as
assiduously as he disdained all organized religion. When asked his
creed he would reply, "None! I believe in sampradaha
(incineration), not sampradaya (sect). All sects have
limitations, and what is really necessary is to cremate all your
limitations, to burn down everything that stands in the way of your
perception of Reality." He valued practice over theory, and
instruction from a guru over textual injunction. He accepted approved
Hindu doctrine whenever it pleased him to do so, or he would
cheerfully remix it until it did, even when such experiments (such as
performing devotional worship after consuming intoxicants) dismayed
the puritanical.
Wherever he looked
Vimalananda saw both God's imminence in every morsel of the universe
(the One-in-All) and God's transcendence beyond every material
concretion (the All-in-One). He knew that, there being but one
Reality, any distinction between the mundane and the spiritual can
only be one of degree. When the orthodox questioned his purity and
sincerity he would tell them in response, "Show me where God,
and thus purity, is not!" Aghoris know how to worship in the
ways that conventional priests worship, but they also learn how to go
beyond convention. They learn to make "gutter water into Ganges
water," transforming even human brain or feces into a sacrament
by so consecrating it with their devotion that it too becomes
redolent with the fragrance of God.
But Vimalananda refused even to limit
himself to this sort of definition, and turned all his energies into
a quest for the holy grail of continuous, God-fired
self-redefinition. Never did any ego-promontory resist within him for
long being eroded by his devotion, for he counted no aghori
successful until he or she had gone so far into sadhana that nothing
remained but love, the devotion (bhakti) that was the source
of all his power. Vimalananda followed even the most grotesque of
sadhanas to its bitter end, and donated whatever shakti he obtained
from them to the Great Shakti Who sheltered and nourished him. He
climbed to the apex of aghoridom and stood there, dissolving and
recoagulating himself moment by moment, his motto an eternal shout of
navinam navinam, kshane kshane ("Newness, newness, at
every moment!").
Genuine aghoris have always been far
fewer than their imitators, people who blacken Aghora's name by
performing garish ceremonies in public to attract the attention of
the gullible public. Vimalananda never sought to capitalize on his
capabilities by soliciting public recognition. Instead he so
successfully promoted his anonymity that many of his oldest compadres
never even suspected that he had any interest in spirituality.
I entered Vimalananda's life in 1975
when I tried to interview him in Poona. I requested him to take a
questionnaire, and was impressed when after refusing it he answered
all my questions anyway without my ever having to ask them. One thing
led to another, and soon I was one of his bacchas, his
'spiritual children.' Vimalananda, who insisted that a real guru
always treats a disciple as a spiritual son or daughter, both refused
to call his devotees 'disciples' and refused to call himself a guru.
He believed that a guru's attitude of claiming to know something
shuts him or her off from anything new. Instead he daily prayed that
Ma would keep a student throughout his life, to keep him eternally
open to learning new things. He advised his spiritual 'children' to
do the same.
"Never take what I say as gospel
truth," he would say. "I am human, which means that I make
mistakes. Always first try out what I say, experience it yourself,
and then you will know whether or not it actually is the truth.
Because you are human you too make mistakes; that is inevitable. Just
always make sure that you make different mistakes each time. Then you
will never cease to progress."
Making mistakes is usually easier than
coping with their consequences, particularly in a world in which
Tantric information which once remained unspoken because of its
potential for misinterpretation is being freely published, often
wholly shorn of context. To grab such lore and seek to wield it
indiscriminately is to invite calamity into your life. "If you
give a monkey a razor," Vimalananda would ask, "do you
think he will shave himself or chop his neck?" To preserve your
neck while performing Tantric sadhana a good guru is indispensable.
Such a mentor will evaluate your personal temperament and capacity to
comprehend before tailoring a program specific to you. A
compassionate Tantric guru never speaks knowledge that can be misused
to people who are not truly qualified to manage that wisdom well. A
good guru rather dedicates himself to task of extricating his
disciples from bondage to the Ashta Pasha ("Eight
Snares"). These are the "nooses" that bind us to the
world of karma: lust, anger, greed, delusion, envy, shame, fear and
disgust. Free yourself from these snares and you will find yourself
well down the path to union with the infinite.
It was because he knew human nature so
well that Vimalananda excoriated most "gurus" for failing
to acknowledge their own limitations. He insisted on pointing out to
his own gurus, whom he loved with a limitless love, their own
occasional oversights. He flayed yet more resolutely those spiritual
dilettantes who assert that gurus have become unnecessary,
maintaining that only the personal ministrations of a powerful guru
can insure that you will survive the awakening of Kundalini in Her
full glory. A good guru destroys her disciple right down to the
ground before re-creating him from the ground up. This process of
dying and being born again truly turns the disciple into the guru's
child, in every way. "You will only learn how to love God,"
said Vimalananda over and over, "after you have learned how to
love your guru."
The guru comes only when the disciple
is ripe enough to love him or her without any limits or
preconditions, and Vimalananda spent much of his time preparing his
'children' by experimenting with ways to remove their personal
limitations. It was impossible not to respect the sincerity with
which he played about with us, fed us, and loved us, turning each
incident in his life into an excuse to move someone's mind a little
closer toward God. Working tirelessly to author his own reality,
Vimalananda created within those of us who succeeded in reaching him
the memory of the version of him that he wanted us to retain. Though
he was unafraid to tread on toes if he thought that such a step might
arouse someone from their slumber, he taught all his lessons with
love. He loved people for their future value, for what they had the
potential to become, not what they happened to be, and he never
confused what they preferred in sadhana with what they required. He
insisted that "the real purpose of yoga is to make every home a
happy home," and inevitably exhorted his 'children' to clean up
their personal lives before they set out to practice yoga, perform
rituals or proceed on pilgrimage.
When he did become inspired to
elucidate spiritual philosophy or practice he was a marvel of a
teacher, his discourses ramifying effortlessly into often unexpected
but always engaging insights and affiliations. While the two salient
principles of his teaching were eternal compassion for all beings and
eternal awareness of rnanubandhana, the bondage of karmic
debt, he never devised any system of spiritual practices. "Carve
out your own niche" was the message he preached to all those who
asked his spiritual advice.
Vimalananda
combined an outstanding ability to convey wisdom to people when they
least expected it with an unshakable determination to be true to
himself and to his vision of reality. Everyone who was interested in
hearing him was free to come, and anyone who couldn't stand his heat
was free to leave his smashan. Those who stayed enjoyed the privilege
of having him remember them not as they were but as they could be, to
re-member them with every fiber of his being as they would someday
be, awake to the sun of the Self.
Vimalananda always
tested when least expected, that he might have an accurate idea of
how we really knew, and always taught people what he was convinced
they needed to know. He advised against the slightest complacency,
and regularly reminded us all to spend each of our moments as if it
were our last. He never hesitated to teach lessons whenever he became
satisfied that they were called for. When he worked with those who
had a sincere desire to learn (including his penis) he never
hesitated either to make them suffer, or to suffer himself on their
behalf, if he felt that suffering was necessary to embellish a
valuable lesson. A good aghori never flinches when a lesson is to be
taught or learned.
One of his fiercest
lessons to me was his dying in my arms on December 12, 1983. That
heartbreak was itself a reprise of his first lesson, delivered within
the first days of our friendship more than eight years before, when
he had predicted that I would cremate him. He had said then, "An
aghori's profoundest expression of love is the phrase, 'You will
cremate me,' and it was only after his death that I finally
understood what he meant. The wide range of unpleasant realities into
which his demise and incineration forced me at the time have in fact
proven invaluable tutorials in the University of Life, however much I
might have preferred to avoid living through them.
Before his death Vimalananda had made
me "Boswell to his Johnson," and charged me with presenting
him to the world, warts and all. He had spoken for years of writing a
book himself, which he would have called Siddha Anubhava Karo!
("Perfect Your Experience!"), but never did so, to preserve
his own peace and quiet. He did ask me, however, to spread his views
after death to anyone willing to listen, as much to organize my own
knowledge and refine my understanding as to instruct others. He also
wanted me to have something solid to remember him by, something that
would permit me to abide with him again whenever I turned its pages.
It has been a real jolt to me to
discover how grossly some readers have misunderstood Vimalananda, how
dismissive others have been with their doubts that he ever even
existed, and how curious yet other readers are over whether the
events that Vimalananda described actually took place or not.
Vimalananda himself always attributed to the Great Goddess the many
unusual things that I and others experienced when in his vicinity,
and never claimed that any of his remarkable capabilities came from
anywhere except Ma. His experiences, which were real to him, can be
equally real for anyone who is open to the possibility of their being
so, just as both he and his experiences remain real for me whenever I
re-collect them. Whenever I go to the smashan I remember how
Vimalananda loved the place, and in that moment of remembrance he
sits together with me again as I envision the eventual burning of my
own corpse. In the smashan his teachings come to life for me, for
there it is much more difficult to be deluded by maya's skin.
There it is far easier to recall how all the world eventually ends up
on a funeral pyre.
Vimalananda was in every way the most
remarkable man that I've met, and one of the most spiritual, in the
true and real senses of that term. When I have lived by his precepts
I have prospered, and when I have not I have had rueful occasion to
remember these his words: "It is always best to live with
Reality, Robby, because when you do not Reality will definitely come
to live with you." The savor of the many realities he served me
as he flavored our life together with his singing, his cooking, and
his "talks" continues to satisfy my palate.
I remember lots of
little things about him, like his earthy sense of humor and his comic
timing; like the way he would sometimes, just for fun, adjust his eye
color to match mine (for he could change his eye color at will). But
most of all I recollect his truly unparalleled love. After sipping
the essence of Aghora from all its bizarre practices he had seen that
the only way to truly live with Reality is to melt your heart for
God. He always taught that the world's best intoxicant is free, easy
to use, and available at a moment's notice; it is, of course, the
sweet name of God. I best remember Vimalananda sitting bliss-filled
with the sweet name of God spilling from his smiling lips.
Perhaps his greatest gift to me was
the understanding that great joy and great misery are the two sides
of life's coin, that the one cannot exist without the other. Sincere
lovers of God know that the pleasure of the Divine Presence is
intensified exponentially by the pain of separation therefrom. From
my youth I have understood this truth intellectually, and after
Vimalananda's death I came to know it from experience. Though I am in
some sense pleased that Vimalananda is not here today to see how
thoroughly Tantra is being degraded, I miss him something terrible.
My longing reminds me that it is now my turn to "re-member"
him after all the remembering he has done for me. Like Jean Valjean's
memory of the bishop, my memory of Vimalananda continues to remind me
to continue transforming my life. It is a blessing for which I daily
offer him my heartfelt thanks.
Copyright © 1998
Robert Edwin Svoboda
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